{"id":21,"date":"2013-05-29T22:25:19","date_gmt":"2013-05-29T22:25:19","guid":{"rendered":"http:\/\/blog.utp.edu.co\/artegussie\/?p=21"},"modified":"2026-05-25T14:29:57","modified_gmt":"2026-05-25T19:29:57","slug":"nuevas-anatomias","status":"publish","type":"post","link":"https:\/\/blog.utp.edu.co\/artegussie\/nuevas-anatomias\/","title":{"rendered":"Nuevas Anatom\u00edas"},"content":{"rendered":"

Gussie, la pinta<\/span>.<\/span><\/h3>\n

\"Gussie<\/a><\/p>\n

Toda<\/span> nueva<\/span> comprensi\u00f3n<\/span> es necesaria<\/span>, es un<\/span> abismo<\/span> que<\/span> por<\/span> suerte<\/span> tiene<\/span> fondo<\/span>.<\/span><\/em><\/span><\/address>\n
Otra<\/span> comprensi\u00f3n<\/span>.<\/span><\/em><\/span><\/address>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Gussie<\/em><\/span><\/address>\n
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\"P14\"<\/a><\/address>\n

Esta Galeria<\/span> pretende<\/span> poner<\/span> en contacto<\/span> al\u00a0atista<\/span>\u00a0y creadores<\/span> de<\/span> variados<\/span> tiempos<\/span> , edades<\/span>, nacionalidades<\/span>, localidades<\/span> y posiciones<\/span> culturales<\/span> de<\/span> diferentes<\/span> indole<\/span> sin distinci\u00f3n<\/span> de<\/span> raza<\/span>, religi\u00f3n<\/span> o actividad<\/span> pol\u00edtica<\/span>, con el<\/span> hombre social.<\/span><\/span> Este<\/span> montaje<\/span> pretende<\/span> contribuir<\/span> con su<\/span> \u00f3ptima<\/span> realizaci\u00f3n<\/span>, teniendo<\/span> presente<\/span> que<\/span> esta<\/span> no es una<\/span> exposici\u00f3n<\/span> como<\/span> la conocemos<\/span>, la sala<\/span> como<\/span> \u00e1mbito<\/span> f\u00edsico<\/span> que<\/span> recorremos<\/span>.<\/span><\/span><\/span> Por<\/span> medio<\/span> de<\/span> este<\/span> excelente<\/span> instrumento<\/span> se<\/span> exhibe<\/span> algo<\/span> que<\/span> es digno<\/span> ante un<\/span> p\u00fablico<\/span> con valor cultural. Muestra<\/span> algo<\/span> que<\/span> resulta<\/span> interesante<\/span> ver<\/span> porque<\/span> representa<\/span> un<\/span> logro<\/span> en el<\/span> campo<\/span> de<\/span> la cultura<\/span> o un<\/span> hito<\/span> importante<\/span> de<\/span> nuestra<\/span> historia<\/span> y es de<\/span> \u00abinteres<\/span> p\u00fablico<\/span>\u00ab.\u00a0<\/span><\/span><\/span>Los objetos<\/span> que<\/span> integran<\/span> la exposici\u00f3n<\/span> son interesantes<\/span> porque<\/span> se<\/span> destacan<\/span> entre<\/span> los<\/span> dem\u00e1s<\/span> de<\/span> su<\/span> tipo<\/span>.<\/span><\/span><\/span><\/p>\n

Comenta Serjio Villarroel<\/em><\/strong><\/h3>\n

Agradezco\u00a0este\u00a0texto\u00a0al\u00a0terr\u00edcola chileno m\u00e1s cercano a mi Galaxia.<\/em><\/h4>\n

\"DS6\"<\/a><\/em> L\u00edneas, \u00a0formas, colore<\/em>s sepias y\u00a0<\/em>grises, que se han ama\u00f1ado al papel, como dos enamorados, ca\u00eddos del ingenio del maestro, que ha bajado de su mente, todo esto, que puede ser o ha sido.<\/em><\/p>\n

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\"DS8\"<\/a><\/em><\/em>Formas humanas y divina se sumergen en las profundidades claro oscura del color y aparecen en una esquinas, abrazados donde las l\u00edneas convergen.<\/em>\u00a0<\/em><\/p>\n

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/em><\/p>\n

\"DS11\"<\/a><\/em>Ya las l\u00edneas y formas est\u00e1n quietas, como dos amantes furtivos despu\u00e9s de un encuentro formal o clandestino. Y qu\u00e9 m\u00e1s, la vida sigue su curso y todas las aguas van a caer al mar.<\/em> Ahora es tu mente, querido espectador, la que tiene que crear, con tu imaginaci\u00f3n, lo que esta posado inerte sobre el papel, o lo que viene.<\/em> \u00a0 \u00a0 <\/em><\/p>\n

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 <\/p>\n

\u00a0\u00a0<\/em><\/em><\/p>\n

\"DS12\"<\/a><\/em><\/em>Hazlo bailar, que jueguen y que corran, que griten y se besen hasta perder el mismo aliento. Intenta que las formas se repitan, que formen cadenas que lleguen al \u00e9xtasis o al descanso del guerrero cotidiano. Ofr\u00e9cele una copa de Ron al pintor y saca a bailar a ella. Atr\u00e9vete amigo observador. Participa, tu tambi\u00e9n eres parte de esta vida dura y pura.<\/em><\/em> Serjio Villarroel, fue muy amable de su parte.<\/em><\/em><\/p>\n

\u00a0<\/address>\n
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Elementos\u00a0claves<\/span>\u00a0<\/span><\/strong><\/em><\/strong><\/strong><\/address>\n
PARA INSTAURAR UNA CONVERSACI\u00d3N<\/span><\/strong> <\/em><\/strong><\/strong><\/address>\n
\u00a0<\/address>\n
\n

Miles de millones de l\u00edneas, org\u00e1nicas l\u00edneas traspasan mi alma.<\/strong><\/h4>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Robin del Bosque<\/h4>\n<\/address>\n
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\"Semi5\"<\/a>\"Semi8\"<\/a><\/address>\n
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\"Semioptica4\"<\/a>\"DS10\"<\/a><\/address>\n
No existen reglas exactas para mantener una<\/span> conversaci\u00f3n. <\/span><\/strong><\/address>\n
Generalmente, se<\/span> dominan algunos elementos primarios para permitir que<\/span> eso nos lleve a disfrutar <\/span><\/strong><\/address>\n
al<\/span> m\u00e1ximo de<\/span> ese intercambio f\u00e1ctico.<\/span><\/strong><\/address>\n
\u00a0<\/address>\n
Los tratados al<\/span> carb\u00f3n que<\/span> aqu\u00ed se<\/span> exponen son un<\/span> buen pretexto para el<\/span> rescate de<\/span> la conversaci\u00f3n.<\/span><\/strong><\/address>\n
\u00abSe habla de<\/span> una<\/span> luz roja oscura\u00bb, pero no se<\/span> habla de<\/span> una<\/span> \u00abLuz roja negra\u00bb, de<\/span> ah\u00ed lo interesante<\/span> de<\/span> abrir la boca y poner<\/span> en juego estados verbales inexplorados hasta el<\/span> momento.<\/span><\/strong><\/address>\n
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\"Vers7\"\"Vers6\"<\/a><\/address>\n
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\"Vers2\"<\/a>\"Vers3\"<\/a>\u00a0<\/address>\n
Semi\u00f3ptica<\/strong>, enfila bater\u00edas hacia variados<\/span> temas, como<\/span> si supiera de<\/span> antemano lo que<\/span> tiene<\/span> que<\/span> decir sobre las cosas y c\u00f3mo decirlo. La obra interviene sobre tal o cual tema, o quiz\u00e1s lo advierte con una<\/span> mirada apenas fija, una<\/span> vez vista es irreversible, solo hay que<\/span> denunciarlo o revelarlo, infringiendo la propensi\u00f3n a lo l\u00fadico, la timidez y el<\/span> temple. El artista crea una<\/span> prole de<\/span> individuos extremadamente joviales, porque<\/span> \u00abSer plasmado para siempre reafirma la gran conversaci\u00f3n autor-lector\u00bb y pronostica las delicias de<\/span> los<\/span> signos, la danza, la existencia.<\/span> En t\u00e9rminos pl\u00e1sticos es necesario no temer a los<\/span> silencios, no ahuyentar los<\/span> placeres escondidos que\u00a0una<\/span> pintura nos comunica, nos se\u00f1ala. En cierto modo, el<\/span> silencio como<\/span> tal procura ricas fuentes de<\/span> confrontaci\u00f3n pintura-conversaci\u00f3n, hacerlas efectivas es aprovechar la ocasi\u00f3n, hacerles referencias, procurarles agilidad y despertarles intereses. <\/span><\/address>\n
Habla Wittgenstein:\u00bbSi se<\/span> me apareciera un<\/span> fantasma durante la noche, \u00e9ste podr\u00eda verse envuelto en una<\/span> d\u00e9bil luz blancuzca; pero si se<\/span> viera gris entonces le tendr\u00eda que<\/span> venir de<\/span> otro lado\u00bb. Cuando la psicolog\u00eda habla de<\/span> la apariencia, la conecta con el<\/span> ser. Pero podemos hablar \u00fanicamente de<\/span> la apariencia, o conectar apariencia con apariencia. Este<\/span> proyecto de<\/span> rescate de<\/span> la imagen, est\u00e1 logrado con base en innumerables elementos, algunos casi imposibles de<\/span> decantar y aislar. Tambi\u00e9n entran en juego sensibilidad, curiosidad e intuiciones adheridas a un<\/span> desamparo personal sin limites.<\/span><\/address>\n","protected":false},"excerpt":{"rendered":"

Gussie, la pinta. Toda nueva comprensi\u00f3n es necesaria, es un abismo que por suerte tiene fondo. Otra comprensi\u00f3n. \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":59,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[11338,70191,70189,70187,70177,70179,70185,32183,70176,70183],"class_list":["post-21","post","type-post","status-publish","format-aside","has-post-thumbnail","hentry","category-uncategorized","tag-arte","tag-arte-de-pereira","tag-arte-risaraldense","tag-arte-risarals","tag-artecolombiano","tag-artesuramericano","tag-gussie","tag-ilustracion","tag-pintura","tag-textos-arte","post_format-post-format-aside"],"_links":{"self":[{"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/posts\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":127,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/posts\/21\/revisions"}],"predecessor-version":[{"id":415,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/posts\/21\/revisions\/415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/media?parent=21"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/categories?post=21"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.utp.edu.co\/artegussie\/wp-json\/wp\/v2\/tags?post=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}