{"id":669,"date":"2012-03-10T11:58:00","date_gmt":"2012-03-10T16:58:00","guid":{"rendered":"http:\/\/blog.utp.edu.co\/700repart\/2012\/03\/10\/proyectos-academicos-libro-de-artista-2012-2\/"},"modified":"2012-03-10T11:58:00","modified_gmt":"2012-03-10T16:58:00","slug":"proyectos-academicos-libro-de-artista-2012-2","status":"publish","type":"post","link":"https:\/\/blog.utp.edu.co\/700repart\/proyectos-academicos-libro-de-artista-2012-2\/","title":{"rendered":">Proyectos acad\u00e9micos-Libro de artista, 2012"},"content":{"rendered":"

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Daniela Vargas. Experimentaci\u00f3n gr\u00e1fica 2012, <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Daniela Vargas. Experimentaci\u00f3n gr\u00e1fica 2012<\/p>\n\n\n\n\n
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Alvaro Garc\u00eda Gracia. Chio. Proceso trabajo de grado<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Natalia Rodr\u00edguez. Instrucciones pr\u00e1cticas para<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n\n\n\n\n
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 caminar<\/td>\n…. <\/td>\ndesde la po\u00e9tica que multiplica las im\u00e1genes<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Natalia Rodr\u00edguez. Dibujo II. Detalle libro<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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C2o. Cristian Camilo Orozco, Imagen 2012 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Natalia L\u00f3pez, Experimentaci\u00f3n gr\u00e1fica 2012<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Juli\u00e1n Mart\u00ednez. Proceso trabajo de grado<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Carlos Ayala. Profesor Artes Visuales<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Juli\u00e1n Martinez. El Caminar y la lluvia. Artes Visuales UTP<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Mg. Rub\u00e9n Dar\u00edo Guti\u00e9rrez. Profesor Artes Visuales<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Mg. Rub\u00e9n Dar\u00edo Guti\u00e9rrez. Profesor Artes Visuales. Detalle<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Carlos Augusto Buritic\u00e1. Profesor Artes Visuales<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Carlos Augusto Buritic\u00e1. Profesor Artes Visuales<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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John Henry Pedraza. Instrucciones pr\u00e1cticas para abrir las puertas.Proceso trabajo de grado<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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John Henry Pedraza. Detalle<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Carmen Elisa Vanegas. Profesora Artes Visuales<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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David Pinz\u00f3n.Instrucciones pr\u00e1cticas para meditar en la cascada.Talla en madera Algarrobo 23x 18 cm.<\/span><\/p>\n

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Los presentes trabajos, en su mayor parte de estudiantes de distintos semestres de la escuela de artes visuales, constituyen una muestra fehaciente del gran inter\u00e9s que ha suscitado el g\u00e9nero de libro de artista no s\u00f3lo en nuestra Universidad sino ya a escala regional a partir de las primeras exposiciones de las que ya dimos cuenta en este blog. Han transcurrido varios a\u00f1os desde que iniciamos el proyecto, contando con el gran apoyo de la facultad y la universidad, especialmente del D. Jos\u00e9 Germ\u00e1n L\u00f3pez Quintero,  actual vicerrector de investigaciones; en todo este transcurso hemos afrontado dificultades, recibido satisfacciones y conocido gente maravillosa dedicada al irreductible oficio de hacer del libro un objeto de arte. <\/span><\/span><\/div>\n
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Si en su primer momento fue una contingencia local, ahora nos complace hacer parte de una inmensa red de artistas  – con quienes estamos desarrollando importantes procesos de circulaci\u00f3n e intercambio -algunos de ellos ya han visitado nuestro campus con sus obras- Vale mencionar, en todo este periplo, la visita a la artista  Zhao Liying en la remota ciudad de Hangzhou, China, la deliciosa tertulia con Jos\u00e9 Emilio Ant\u00f3n en Madrid -quien est\u00e1 configurando el m\u00e1s importante centro de documentaci\u00f3n sobre el libro de artista en habla hispana- y por supuesto el encuentro con Antonio Dami\u00e1n y Jim Lorena en C\u00f3rdoba, Andaluc\u00eda, gestores y creadores de la red librodeartista.info, de la cual somos miembros desde el origen. <\/span><\/span><\/div>\n
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Esperamos con los proyectos aqu\u00ed presentados hacer parte del encuentro a realizarse en Mayo de este a\u00f1o en la Universidad de Jaen, Espa\u00f1a, proyecto denominado LEY DE ERRADICACION DE LA VIDA DESATENTA, en clara alusi\u00f3n a la obra de Miguel Hern\u00e1ndez, y en evidente consonancia con los eventos que han sacudido al mundo en la \u00faltima d\u00e9cada y que nos invitan a replantear nuestra mirada, no s\u00f3lo sobre la situaci\u00f3n de las artes visuales como met\u00e1fora de la p\u00e9rdida de la fe en la sociedad contempor\u00e1nea, sino tambi\u00e9n en la generalidad de las circunstancias que nos determinan el sentido de la pregunta por <\/span><\/b>el destino de una sociedad asaltada por la rentabilidad pragm\u00e1tica  y la apoteosis del consumo.<\/span><\/span><\/div>\n
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The present art<\/span>works,<\/span> mostly<\/span> of students from<\/span> diferent<\/span> semesters<\/span> of the <\/span><\/span>visual arts <\/span><\/span>school <\/span> are a<\/span> powerful symbol<\/span> of the great<\/span> interest aroused by<\/span> the<\/span> artist book<\/span> genre<\/span>, not only in<\/span> our university<\/span> but a <\/span>regional level<\/span> since the<\/span> first exhibitions<\/span> to those already<\/span> noticed<\/span> in this<\/span> blog.<\/span> Several years have passed<\/span> since we started the<\/span> project<\/span>, with the great support<\/span> of the faculty and<\/span> the university<\/span>, especially D.<\/span> <\/span>Jose <\/span><\/span>Germ\u00e1n Lopez<\/span>  Quintero<\/span>, now vice-chancellor<\/span> of research bureau.<\/span>In all this<\/span> course,<\/span> we have faced<\/span> difficulties,<\/span> satisfactions<\/span> received<\/span> and<\/span> met wonderful people<\/span> dedicated to the<\/span> irreducible<\/span> job of making<\/span> the book<\/span> a piece of art<\/span>.<\/span><\/i><\/p>\n<\/div>\n
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<\/span><\/span>If at<\/span> first<\/span> time was a<\/span> local<\/span> contingency<\/span>, now we are pleased<\/span> to be part of<\/span> a vast network of<\/span> artists<\/span> – with whom<\/span> we are developing<\/span> important processes of<\/span> circulation and exchange<\/span>, some of them have already<\/span> visited our<\/span> campus<\/span> with<\/span> his works<\/span>. Worth mentioning<\/span> at all<\/span> this journey<\/span>, visiting artist<\/span> Zhao<\/span> Liying<\/span> in the remote<\/span> city of<\/span> Hangzhou<\/span>, China, the delightful<\/span> conversation with<\/span> Jos\u00e9<\/span> Emilio<\/span> Anton in<\/span> Madrid<\/span>, who<\/span> are setting<\/span> the most important<\/span> center of information on<\/span> the artist’s book<\/span> in<\/span> Spanish-speaking<\/span>, and of course<\/span> meeting with<\/span> Antonio<\/span> Dami\u00e1n and<\/span> Jim<\/span> Lorena<\/span> in C\u00f3rdoba<\/span>, Andaluc\u00eda, <\/span>librodeartista.info’s <\/span><\/span>managers and network<\/span> designers<\/span><\/span>, net which<\/span> we are members<\/span> from the very origin.<\/span><\/span><\/i><\/p>\n<\/div>\n
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<\/span><\/span>We hope<\/span> with the projects<\/span> presented here<\/span>, to be part<\/span> of the<\/span> meeting to be held<\/span> in May this<\/span> year at the University<\/span> of<\/span> Jaen<\/span>, Spain, project called<\/span> ERADICATION<\/span> ACT<\/span> OF <\/span><\/span>INATTENTIVE <\/span><\/span>LIFE<\/span> ,<\/span> alluding to<\/span> the work of Miguel<\/span> Hern\u00e1ndez,<\/span> and in<\/span> line with<\/span> clear<\/span> events that have<\/span> shaken the world<\/span> in the last decade,<\/span> and invite us<\/span> to rethink<\/span> our view<\/span>, not only on the status<\/span> of the visual arts<\/span> as a metaphor for<\/span> the loss<\/span> of faith<\/span> in contemporary society<\/span>, but also<\/span> in most of<\/span> the circumstances<\/span> that<\/span> set the<\/span> meaning of the question<\/span> for the fate<\/span> of a society caught in<\/span> the <\/span> pragmatic<\/span><\/span> profitability <\/span><\/span>and apotheosis<\/span> of consumption.<\/span><\/span><\/i><\/p>\n<\/div>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Facultad de Bellas Artes, Universidad Tecnol\u00f3gica de Pereira<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Convocatoria de Ediciones librodeartista.info para la exposici\u00f3n
Ley de erradicaci\u00f3n de la vida desatenta<\/span> en la Universidad de Jaen, Espa\u00f1a
Mayo de 2012
http:\/\/www.lavidadesatenta.info\/<\/p>\n","protected":false},"excerpt":{"rendered":"

> Daniela Vargas. Experimentaci\u00f3n gr\u00e1fica 2012, Daniela Vargas. Experimentaci\u00f3n gr\u00e1fica 2012 Alvaro Garc\u00eda Gracia. Chio. Proceso trabajo de grado Natalia Rodr\u00edguez. Instrucciones pr\u00e1cticas para  caminar …. desde la po\u00e9tica que multiplica las im\u00e1genes Natalia Rodr\u00edguez. Dibujo II. Detalle libro C2o. Cristian Camilo Orozco, Imagen 2012 Natalia L\u00f3pez, Experimentaci\u00f3n gr\u00e1fica 2012 […]<\/p>\n","protected":false},"author":240,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-669","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/posts\/669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/users\/240"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/comments?post=669"}],"version-history":[{"count":0,"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/posts\/669\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/media?parent=669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/categories?post=669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.utp.edu.co\/700repart\/wp-json\/wp\/v2\/tags?post=669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}